Two Contrasting Contemporary Monologues, 2 Min Max Each
•First monologue: recommended from Cornish prescribed pieces
-Fool for Love by Sam Shepard
-Death of a Salesman by Arthur Miller
-May choose a familiar contemporary piece if time is a constraint
•Second monologue: contrasting piece from a contemporary play
-Must differ in mood, style, and intention from the first
-Should have a strong objective with dynamic actions and tactics
Material Selection
•Avoid "story" monologues — choose pieces where the character actively pursues a goal
•Look for strong character objectives that connect with another character present in the scene
•By the end, someone should be changed (understanding, emotion, or decision)
•Select pieces you genuinely enjoy performing