Essay/Statement
•Bullet: Goal statement: What do you hope to accomplish in the future—both personally and professionally—and how do you see your chosen major and Chapman's programs helping you get there?
•Bullet: 500 words or fewer
Repertoire
•Bullet: Voice: two (2) vocal selections performed from memory (an art song or aria in Italian or English, plus a second art song or aria in English, Italian, German, French, or Spanish); no popular, commercial, jazz, or music theatre repertoire
•Bullet: Violin, viola, cello, and bass: two (2) contrasting pieces that best demonstrate your musicianship and technical ability, such as a movement from a sonata, partita, or suite by Bach, or a movement from a standard concerto; standalone pieces are also acceptable
•Bullet: Harp: Nadermann, Sonata No. 1 or Sonata No. 2 (1st movement), and Corelli, Giga
•Bullet: Strings sheet: all majors other than BM in Performance are told to submit one (1) work of your choice from the audition requirements for your instrument
•Bullet: Guitar: two (2) etudes of contrasting style and tempo, performed from memory (for example from Sor's Douze Etudes Op. 6 and Op. 29, Carcassi's Vingt-Cinq Etudes Op. 60, or Brouwer's Estudios Sencillos); you may be asked to sight-read during the audition
•Bullet: Piano and collaborative piano: two (2) of the following piano works, performed from memory: J.S. Bach Prelude and Fugue or Suite; one (1) movement of a Classical sonata; a Romantic piece; an Impressionist, 20th-century, or contemporary piece; a piece by a BIPOC composer (any period or style)
•Bullet: Percussion: two (2) solos on two (2) contrasting primary percussion instruments (mallet percussion, snare drum, timpani, drum set)
•Bullet: Percussion applicants are welcome to perform additional solos
•Bullet: Percussion technical demonstrations: sight-reading for both snare drum and mallet percussion, scales and arpeggios for mallet percussion, and the 40 PAS International Drum Rudiments
•Bullet: Flute: an etude of your choice (Berbiguier, 18 Exercises, or Andersen, Op. 33), plus one (1) slow and one (1) fast movement of a J.S. Bach flute sonata and one (1) movement of a contrasting work
•Bullet: Oboe: one (1) etude (Barret or Ferling), one (1) movement of a standard concerto (such as Haydn or Mozart) or a sonata by Bach, Handel, Telemann, or Vivaldi, and the opening solo of the 2nd movement of Beethoven's Symphony No. 3
•Bullet: Clarinet: a short excerpt from a solo work of your choice from the standard repertoire
•Bullet: Bassoon: one (1) movement of your choice from a Telemann sonata or a Vivaldi concerto or sonata (or equivalent), plus one (1) orchestral excerpt (Mozart, Le Nozze di Figaro Overture; Tchaikovsky, Symphony No. 4, 2nd movement solo; or Bizet, Carmen Suite No. 1, "Les Dragons d'Alcala")
•Bullet: Saxophone: two-minute excerpts in three styles: a slow expressive classical excerpt, a fast technical classical excerpt, and a jazz solo transcription excerpt or your own improvised jazz solo
•Bullet: Horn: two (2) contrasting etudes (Maxime-Alphonse, Book 2 or 3, or Kopprasch, 60 Studies)
•Bullet: Trumpet: 1st movement of the Trumpet Concerto in E-flat Major by Haydn, Hummel, or Neruda; Haydn, Trumpet Concerto in E-flat Major, 2nd movement; and Mussorgsky, Pictures at an Exhibition: Promenade
•Bullet: Trombone: one (1) etude from each of Bordogni, Melodious Etudes, Book One (Rochut) and Tyrell, Progressive Studies, or Kopprasch, 60 Studies
•Bullet: Tuba: one (1) etude (Vasilev, Blazhevich, Rochut, Kopprasch, or Tyrell)
•Bullet: Scales are not required for voice, woodwind, brass, guitar, or piano