Training
•The minor develops microphone selection and placement, signal flow, multitrack recording, editing and mixing through tools including Pro Tools and Logic
•Students work with live music, dialogue cleanup, Foley, effects and live-sound mixing, learning how technical decisions shape clarity, space and musical communication
Professional Development
•Sound Recording and Production I and II establish the sequence, with independent study available for deeper projects
•Coursework can reach electronic and interactive music, multimedia, music-information retrieval and emerging artificial-intelligence applications rather than stopping at basic studio operation
Facilities
•Colter Harper’s work links ethnomusicology with Sound Recording and Production; UB’s dedicated recording spaces support live, electronic, interactive and multimedia projects, alongside Baird Recital Hall’s 5.1 system
